Daniel Göttin
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REGIONALE 22, 2021
Kunst Raum Riehen/CH
PANELS W1/1-4, 2020-2021
Karton, Aluminiumklebeband, manuell bearbeitet, lackiert
je 21cm/29.7cm/2.5cm
BLOCKS B1/1-4, 2020-2021
Karton, Aluminiumklebeband, manuell bearbeitet, lackiert
je 10cm/14.8cm/10.5cm
MY BAUHAUS, 2018
Digital Print on Sakae Technical Kraft Paper 70gr
29.7cm/21cm
Edition 3 + 3 E.A.
Century idee bauhaus/100 Jahre Bauhaus, 2019
a drj project with 100 international artists
dr. julius I ap, berlin/d
FRAMING, 2021
Giclée print on 310gsm canson photographique paper
53cm x 75cm
Edition 25
Accompanied by a signed certificate of authenticity
The concept of the promenade painting FRAMING is based on the size and rhythm of the concrete plates building the pathway. Frames of three different colours (White, Orange, Black) are painted onto the pathway, repeating the process several times in the same order. Each colour frame is ending at the edge of the following concrete plate. The size of each concrete plate is defining the size of each frame on all four sides, creating a slightly irregular image of the frames. The inner parts of all concrete plates remain unpainted, therefore the visible plain concrete surface is integrated in the flow of the ‘frame chain‘, becoming an equal part of the design on the pathway. Seen in perspective when standing on the pathway, FRAMING appears as a rhythm of converging frames integrated image of visual depth along the pathway for the pedestrians, within the other collaborative paintings made by all local, national and international AC4CA members.
AC4CA - ORANGE PATHWAY, 2021
ORANGE PATHWAY is a painted ground plane artwork created by thirteen leading Australian and International Artists connected to the AC4CA collective. This 500m long walkable artwork spans the pathway between the two bridges (Old Traffic Bridge and Stirling Bridge). The work is commissioned by the Fremantle Biennale as part of the 2021 program titled CROSSING in partnership with the City of Fremantle and the Town of East Fremantle. Launched to coincide with the opening of the 2021 Biennale, the artwork is designed as a legacy artwork to stay in place permanently.
A limited edition of artists prints of the same design are produced to accompany the ground plane artwork. The sale of the prints will fund the fabrication of ORANGE PATH. The prints can be purchased as a limited box set of 25 containing each of the 13 x prints, or as individual (unframed) prints. Each design is limited to three colours including a specific orange in homage to the late AC4CA member, John Nixon.
AC4CA - ORANGE PATHWAY
Between the Bridges
Fremantle Biennale 2021
Fremantle/AUS
Andrew Leslie (NSW), Daniel Gottin (CH), David Tremlett (UK), George Howlett (WA), Guillaume Boulley(FRA), Helen Smith (WA), Jan van der Ploeg (NDL), Jeremy Kirwin Ward (WA), John Nixon (VIC), Julian Goddard (VIC), Jurek Wybraniec (WA), Trevor Richards (WA), Zora Kreuzer (DEU).
The Australian Centre for Concrete Art (AC4CA) was established by its Perth members in 2002 and was based on the ideals of Dutch De Stijl artist Theo van Doesburg and an interest in Minimalism and hard-edge geometric abstraction. The driving concept for the group is to transform outdoor community spaces with their striking site-specific non-representational works painted directly on urban walls, often with the help of friends and art students. Often the works are temporary and have since been painted over to make room for new projects by someone else in the group. It’s collegiate, open-ended and moves with the times and conversations around public art. A 500m long pathway linking the old traffic bridge to the Stirling bridge is painted by all thirteen member artists from the collective.
FRAMING, 2021
Outdoor paint on walkway
ca. 200cm/4000cm
o.T. 2, 2015
Acryl auf MDF
5cm/127.5cm/5cm
alle(zzzz) - Grand Finale
Galerie Wenger, Zürich/CH
Foto: Reto Kaufmann
OHNE WORTE, 2021
56 Teilnehmende der Kunsttherapie und Kunstschafffende im Dialog
Dialog 15: Daniel Vollenweider - Daniel Göttin
Psychiatrie Baselland, Liestal/CH
JONGLEUR, 2020
Tusche auf Papier
29.7cm/21cm
BALANCE, 2020
Bleistift auf Sakae Technical Kraft Paper 70gr.
29.7cm/21cm
JONGLANCE (JONGLEUR + BALANCE), 2020
Tuschstifte auf Papier
42cm/29.7cm
WIRBEL, 2021
Bleistift auf Sakae Technical Kraft Paper 70gr.
29.7cm/21cm
KOPFWIRBEL, 2021
Tuschstifte auf Zeichenpapier
29.7cm/21cm
LAGER, 2021
Bleistift auf Sakae Technical Kraft Paper 70gr.
29.7cm/21cm
SCHATTENTHEATER, 2021
Installation mit Draht, Holz, Karton, Glas, Tusche, Kreppapier und Licht
ca. 60cm/60cm/18cm
LICHT, 2021
Bleistift auf Sakae Technical Kraft Paper 70gr.
29.7cm/21cm
D3, 2005
Lack auf MDF
60cm/58cm/10cm
100 + 100 ≠ 400
Regionale 21
FABRIKculture Hégenheim/F
Installationsansicht mit Klebebandraster
MULTIPLE DISPLAY 2, 2006
9 Teile
Acryl auf Multiplex
9x 240cm/20cm/1.8cm
RESET - Museum. Sammlung. Zukunft.
Museum Haus Konstruktiv, Zürich/CH
Foto: Mariejon de Jong
SCHATZ & JARDIN, 2021 - 2031
Diverse Schätze von Künstlerinnen und Künstlern für 10 Jahre vergraben
Ein Kunstprojekt von Gerda Steiner & Jörg Lenzlinger
FRAC Alsace, Sélestat/F
2024 © Daniel Göttin