Daniel Göttin

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REGIONALE 22, 2021

Kunst Raum Riehen/CH

PANELS W1/1-4, 2020-2021

Karton, Aluminiumklebeband, manuell bearbeitet, lackiert

je 21cm/29.7cm/2.5cm

BLOCKS B1/1-4, 2020-2021

Karton, Aluminiumklebeband, manuell bearbeitet, lackiert

je 10cm/14.8cm/10.5cm

MY BAUHAUS, 2018

Digital Print on Sakae Technical Kraft Paper 70gr

29.7cm/21cm

Edition 3 + 3 E.A.

Century idee bauhaus/100 Jahre Bauhaus, 2019

a drj project with 100 international artists

dr. julius I ap, berlin/d

2020_2021_a_Blocks B1/1-4_Karton_Aluminiumklebeband_manuell bearbeitet_lackiert_je 10x14.8x10.5cm_KRR_180aa
2019_MY BAUHAUS, 2018_Digital Print on Sakae Technical Kraft Paper 70gr_A4_Edition3+3EA_KRR_180aa
2020_2021_f_Panel W1/1-4_Karton_ Aluminiumklebeband_manuell_bearbeitet_lackiert_je 21x29.7x2.5cm_KKR_180aa
2021_5_DG_Framing_Print_AC4CA_Fremantle Biennale_180aaa

FRAMING, 2021

Giclée print on 310gsm canson photographique paper

53cm x 75cm

Edition 25

Accompanied by a signed certificate of authenticity


The concept of the promenade painting FRAMING is based on the size and rhythm of the concrete plates building the pathway. Frames of three different colours (White, Orange, Black) are painted onto the pathway, repeating the process several times in the same order. Each colour frame is ending at the edge of the following concrete plate. The size of each concrete plate is defining the size of each frame on all four sides, creating a slightly irregular image of the frames. The inner parts of all concrete plates remain unpainted, therefore the visible plain concrete surface is integrated in the flow of the ‘frame chain‘, becoming an equal part of the design on the pathway. Seen in perspective when standing on the pathway, FRAMING appears as a rhythm of converging frames integrated image of visual depth along the pathway for the pedestrians, within the other collaborative paintings made by all local, national and international AC4CA members.


AC4CA - ORANGE PATHWAY, 2021

ORANGE PATHWAY is a painted ground plane artwork created by thirteen leading Australian and International Artists connected to the AC4CA collective. This 500m long walkable artwork spans the pathway between the two bridges (Old Traffic Bridge and Stirling Bridge). The work is commissioned by the Fremantle Biennale as part of the 2021 program titled CROSSING in partnership with the City of Fremantle and the Town of East Fremantle. Launched to coincide with the opening of the 2021 Biennale, the artwork is designed as a legacy artwork to stay in place permanently.


A limited edition of artists prints of the same design are produced to accompany the ground plane artwork. The sale of the prints will fund the fabrication of ORANGE PATH. The prints can be purchased as a limited box set of 25 containing each of the 13 x prints, or as individual (unframed) prints. Each design is limited to three colours including a specific orange in homage to the late AC4CA member, John Nixon.

AC4CA / Orange Path_Skyview_180

AC4CA - ORANGE PATHWAY

Between the Bridges

Fremantle Biennale 2021

Fremantle/AUS


Andrew Leslie (NSW), Daniel Gottin (CH), David Tremlett (UK), George Howlett (WA), Guillaume Boulley(FRA), Helen Smith (WA), Jan van der Ploeg (NDL), Jeremy Kirwin Ward (WA), John Nixon (VIC), Julian Goddard (VIC), Jurek Wybraniec (WA), Trevor Richards (WA), Zora Kreuzer (DEU).


The Australian Centre for Concrete Art (AC4CA) was established by its Perth members in 2002 and was based on the ideals of Dutch De Stijl artist Theo van Doesburg and an interest in Minimalism and hard-edge geometric abstraction. The driving concept for the group is to transform outdoor community spaces with their striking site-specific non-representational works painted directly on urban walls, often with the help of friends and art students. Often the works are temporary and have since been painted over to make room for new projects by someone else in the group. It’s collegiate, open-ended and moves with the times and conversations around public art. A 500m long pathway linking the old traffic bridge to the Stirling bridge is painted by all thirteen member artists from the collective.

FRAMING, 2021

Outdoor paint on walkway

ca. 200cm/4000cm

Daniel 1_Freo_180
Daniel 2_Freo_180
Daniel OP 2_Freo_180
Trevor Daniel_180

o.T. 2, 2015

Acryl auf MDF

5cm/127.5cm/5cm

alle(zzzz) - Grand Finale

Galerie Wenger, Zürich/CH

Foto: Reto Kaufmann

 s127_2021_Grand Finale_p_180a
2021_2DG_Wirbel_PsyLiestal_29.7x21cm_180
2020_1DG_Balance_PsyLiestal_29.7x21cm_180

OHNE WORTE, 2021

56 Teilnehmende der Kunsttherapie und Kunstschafffende im Dialog

Dialog 15: Daniel Vollenweider - Daniel Göttin

Psychiatrie Baselland, Liestal/CH

JONGLEUR, 2020

Tusche auf Papier

29.7cm/21cm

BALANCE, 2020

Bleistift auf Sakae Technical Kraft Paper 70gr.

29.7cm/21cm

JONGLANCE (JONGLEUR + BALANCE), 2020

Tuschstifte auf Papier

42cm/29.7cm

WIRBEL, 2021

Bleistift auf Sakae Technical Kraft Paper 70gr.

29.7cm/21cm

2020_1Bild Nr. 27_180
2021_2Bild Nr. 27_3_180
2021_3Bild Nr. 27_5, P_180

KOPFWIRBEL, 2021

Tuschstifte auf Zeichenpapier

29.7cm/21cm

LAGER, 2021

Bleistift auf Sakae Technical Kraft Paper 70gr.

29.7cm/21cm

2021_4Bild Nr. 27_7, P. _180

SCHATTENTHEATER, 2021

Installation mit Draht, Holz, Karton, Glas, Tusche, Kreppapier und Licht

ca. 60cm/60cm/18cm

LICHT, 2021

Bleistift auf Sakae Technical Kraft Paper 70gr.

29.7cm/21cm

2021_3DG_Lager_PsyLiestal_29.7x21cm_180
2021_4DG_Licht_PsyLiestal_29.7x21cm_180

D3, 2005

Lack auf MDF

60cm/58cm/10cm


100 + 100 ≠ 400

Regionale 21

FABRIKculture Hégenheim/F

Installationsansicht mit Klebebandraster

2020/21_19_R21_180aa
2020/2021_05_D3_LacquerMDF_60x58x10cm_180a
2021_2006_2_Multiple Display 2_(Foto Mariejon de Jong)_180a

MULTIPLE DISPLAY 2, 2006

9 Teile

Acryl auf Multiplex

9x 240cm/20cm/1.8cm

RESET - Museum. Sammlung. Zukunft.

Museum Haus Konstruktiv, Zürich/CH

Foto: Mariejon de Jong

 Schatz & Jardin_DEUTSCH (3)_180aa

SCHATZ & JARDIN, 2021 - 2031

Diverse Schätze von Künstlerinnen und Künstlern für 10 Jahre vergraben

Ein Kunstprojekt von Gerda Steiner & Jörg Lenzlinger

FRAC Alsace, Sélestat/F

2024 © Daniel Göttin